Saturday, October 31, 2009
The week peels away like the back of a Bondi surfer and I am tired but happy. Another thesis chapter was submitted this week. Autumn has flat-lined and winter appears to be ready to enter the scene. Old friends appear on social media sites and others are expected in the flesh in the coming week.
I am ready for free media as I am sure you are as well:
4 Cool Things I Found On the Internet This Week
Hal Blaine - Psychedelic Percussion - 1967 The Most Prolific Dadaist in Golden Age Hollywood
Hal Blaine: Psychedelic Percussion
Failed Pilot for 1967 Dick Tracy TV Series (with Ventures Theme Song)
Gallery of Hand Painted Movie Posters from Ghana
Psychedelic Jukebox: Sadhu Sadhu - 2009 - Live at the Hideout
Sadhu have a Live Album, self-released by the band and/or for free download (see link above). fuzzed out psychedelic rock! the sound quality is not the best, but the music quality is for sure! also have a look on their myspace site: www.myspace.com/sadhusadhu
what i like ( The House Of Fun)
Ladies and gentlemen please Would you bring your attention to me? For a feast for your eyes to see An explosion of catastrophe Like nothing you've ever seen before Watch closely as I open this door Your jaws will be on the floor After this you'll be begging for more Welcome to the show Please come inside Things I like Music Wrestling Chilling Partying sex and You.
Howard Rheingold's Vlog
One of the most knowledgeable people I have ever met. He has a vlog. His name is Howard.
What's in my Ipod
Incredible collection of the obscure and pure. Excellent Mp3 blog.
The Women of the Avant-Garde / Avant-Garde All the Time : The Poetry Foundation
Sound clips from Kathy Acker, Laurie Anderson, Caroline Bergvall, Denise Levertov, Lydia Lunch, Patti Smith, Eileen Myles, and many more.
Angus MacLise (1938-1979) Invasion of Thunderbolt Pagoda (1968) Brain Damage in Oklahoma City (rec. 1968-1972) and from Aspen No. 9
Angus MacLise (Bridgeport, Connecticut, March 4, 1938 - Kathmandu, Nepal June 21, 1979) was an American percussionist, composer, poet, occultist and calligrapher probably best known as the first drummer for the Velvet Underground. MacLise was a member of La Monte Young's Theater of Eternal Music, with John Cale, Tony Conrad, Marian Zazeela and sometimes Terry Riley. He contributed to the early Fluxus newspaper VTre, edited by George Brecht, and was also an early member of The Velvet Underground, having been brought into the group by flatmate John Cale when they were living at 56 Ludlow Street.
Comets on Fire. The Black Cassette
The Comets On Fire "Black Cassette". This sucker is so rare and forgotten I didn't even give it a catalog release number on my Silver Currant label when we made them. Just its number out of 21 made. Most often in Comets, Noel or I would make these at 2:30 am the night before heading out on tour and we'd just pull old rehearsal recordings from out of a box of hundreds that we have and find a couple killer 20 minute free jams and dub one on each side and there you go. So that's what this is. The cover is made of black lightweight construction paper, the comet symbol is burned into the paper by bleach, the Comets title is silk screened in gray ink and it was numbered in pencil.
Its not where you think it is.........
“Sartre and Kerouac attempted to organize vast multiplicities of ideas and images through some forms of totalizing structure. This was Sartre’s project in The Critique, and it was also the function of the theory of spontaneous-bop poetics. Sartre used Hegel and Marx to try and achieve a “theory of practical ensembles”; Kerouac and the other Beat writers used jazz or Mahayana Buddhism to work through spontaneity or improvisation to produce self-organizing texts. In both cases, the writers tried to find a way of going beyond meaning. This was the great challenge of cybernetic culture - the idea of “the net” being its most current form. Sartre and the Beatniks stand on two sides of the great divide opened up by post-World War II civilization: Sartre trying to hold on to rationalism, even as rationalism decimates larger and larger human populations, while the Beats flee into the transcendental East – both fueled by over-the-counter stimulants”
Marcus Boon, 'The Road of Excess: A History of Writers on Drugs’ p201.
Friday, October 30, 2009
Seminar in HUMlab November 3rd 1:15pm (CET)
Professor Charles Ess
Ess is a distinguished researcher and pioneer in internet studies. Recent
publications include Digital Media Ethics (Polity Press, 2009). See for
http://www.drury.edu/ess/about.html and http://www.drury.edu/ess/ for more
HUMlab. Date/time: Nov 3, 1.15 pm. The seminar is open to everyone.
Trust and Democracy Online?
Trust is an essential requirement in human existence generally and specifically in our social and political engagements with one another.
At the same time, however, our lives - including our political lives - increasingly take place in online environments that raise notorious difficulties for establishing and maintaining trust. In response to my title question, I will review some representative characterizations of trust, followed by three major obstacles to trust and democracy in online settings. I conclude with some reasons for optimism that trust - but perhaps not democracy - can be fostered and sustained online.
The seminar will also be streamed live on http://live.humlab.umu.se/ (link opens at time of seminar) and archived on http://stream.humlab.umu.se/.
Sunday, October 25, 2009
9 is a computer animated short film by Shane Acker released in 2005 as a student project. Tim Burton saw the film and was so impressed by its artistic vision that he went on to produce an almost feature-length adaptation called 9 (2009), directed by Acker and distributed by Focus Features.
A lot more is HERE
Tuesday, October 20, 2009
“The vehicle, owned by anarchist pranksters the Space Hijackers, bore a number of fake CCTV cameras bolted onto its turret, a plastic pipe with holes in it for a gun and a bumper sticker that read “How Do You Like My Driving? 0800 F**K YOU”. It blared Wagner’s Ride of the Valkyries from a sound system. If you can show me a police force that does all that, I can show you a police force on acid.” Leah Borromeo
Friday, October 16, 2009
And now to my own trough. The week has been one of endeavors in digital teaching and sign language is Swedish. What a mix. All went well and I am free to return to the labor of my thesis, which has been neglected these past few days. Tomorrow I will be attending the disputation or defense for Therese who after 6 years is about to become a Doctor of Philosophy. Yippeeee.
Now to the sounds for today
A Truer Sound: Johnny Cash - Strawberry Cake (Out of Print and Rare 1976 live album)
While this may not be the best Johnny Cash live album (that distinction goes to either Folsom or San Quentin depending on who you ask and on what day), it's certainly the most interesting. Interspersed with stories and dialouge and pure interaction with the audience. This album makes you realize that Johnny Cash's career did not suddenly end in 1970 and pick back up in 1994 as some would like to believe. No, The 70's were a fruitful time for the Man In Black, while certainly not as classic and legendary as his 50's and late 60's performances and albums, he was certainly at the top of his game as a performer.
Terror + Rays Blog: VA - Die Sechziger 1933-1963 Lieder des europäischen Widerstandes gegen den Faschismus
Songs of the European Resistance Against Fascism Various ~ "Die Sechziger: 1933-1963"
white collar crime
New mixtape from Phaseone, featuring quite a bit of new material, as well as a handful of his always tight older remixes I've posted here over the last year or so (Burial, Panda Bear, Animal Collective, Banjo or Freakout, etc).
Be full and free....
Tuesday, October 13, 2009
Images from the performance on saturday night in Skellefteå. Bonus Diallo, Adil Fadi and me. If you are especially keen to hear what it sounded like, there is a large rough .wav file that can be downloaded from here. But it is 812 MB for 24 mins. Its not meant to be shared. Its meant to be tidied up.
Monday, October 12, 2009
Rare recordings of traditional irish music
Bug In The City: mike rozakis
Another Psychotic-Hippie-Drug-and-Sex-in-the-Greek-Isles Movie soundtrack.
Saturday, October 10, 2009
If you are near Skellefteå in the north east of Sweden tonight come to Nocks night club for an evening of West African fusion musics. I will be playing with my friends Adil (Morocco), Bonus (Senegal) and Simon (Sweden/Haiti) in the relaunch of a wild percussion drone group we had in 2002-03. Sometime after nine o'clock we will be jamming.
Sunday, October 04, 2009
Total time 1h 40mn
Joseph Nechvatal: sound sources & synthesizer
Matthew Underwood: sound processing
Andrew Deutsch: sound processing
Stephane Sikora: programming
Jane Smith: voice (recorded 1985)
Kevin Harkins: synth on 4th Mvt & PostMortem
“A founding member of the Tellus Audio Cassette Magazine, Joseph Nechvatal (b1951) famously curated two noise compilations for Tellus in 1986 and 1988. He composed an opera called XS: The Opera Opus (1984-5) with Rhys Chatham. His visual and sound works since then has been concerned with ‘viral’ techniques, ie: computer-assisted complex structures, heavily processed material, unwanted input corrupting the media and a general self-annihilation of the artist as composer/painter. The computer is summoned to create the art in the same way the Golem was raised by Rabbi Löw to create the myth. Viral Symphony’s First Movement was published on CD in 2006 by The Institute for Electronic Arts. The rest of the symphony is derived from this 1st Mvt in variously processed textures. The 2nd and 3rd Movements include the voice of Jane Smith reading from Ovid’s Metamorphosis, an apt metaphor for a Symphony dealing with permanent mutability, in as much as the perpetually morphing sound particles are used as the very structure of the work. While the 1st Mvt is a cornucopia of noisy, aleatoric electronic debris in the ‘garbage in, garbage out’ tradition, the remaining movements are more ambient affairs in which compositional mystery and sonic restraint create tension and captivates the listener. It seems the electronic sounds were refined after the nth re-processing and when reaching the 4th Mvt it’s become a mere distant static. The processed vocal parts sounds like early radio transmissions, and I personally envisionned Ezra Pound on conversation on Italian Radio or a BBC broadcast during the 1930s, while he was working on his 2 radio operas. In the last 2 movements, the input of Kevin Harkins on Midi sounds brings a neo-gothic touch to the music thanks to his endless cello and piano arpeggios. PostMortem is the most poignant part of the Symphony, its processed sounds slowly recessing in the background leaving room to sadness and emptyness. PostMortem appears for the first time on the web thanks to the generosity of Joseph Nechvatal. The very nature of the Viral Symphony indicates there will be additional movements soon and the ‘Complete’ set is presented as is, prior to further re-processing.”
Extra demos of Joseph's new project, Viral Venture (working with composer Rhys Chatham) are available here:
Saturday, October 03, 2009
Magic Carpathians Radio Last fm The Magic Carpathians Project web radio: excellent stuff.
UbuWeb Sound - Toshimaru Nakamura Toshimaru Nakamura has been producing electronic music on self-named "no-input mixing board," after long unhappy years with the electric guitar. The name describes the method of his music. "No" external sound source is connected to "inputs" of the "mixing board." Mostly an improviser, occasionally a composer for dancers, an instrumentalist for compositions.
Black Eye Records Jukebox: Schadenfreude - Lubricated Goat Lubricated Goat was formed by Stu Spasm (real name Stuart Grey). Upon returning from England, Spasm went to Perth to visit with Singing Dog drummer Brett Ford who was then playing in The Kryptonics with Peter Hartley.
While in Perth, Stu recorded side one of what later became the Plays The Devil’s Music EP at No Sweat Studios with Ford and Hartley. Side two was recorded in Adelaide on a 4-track with drummer Martin Bland (Bloodloss/Salamander Jim).
Lubricated Goat signed to Red Eye Records offshoot Black Eye Records. The band soon relocated to Sydney where Stu had previously met Guy Maddison of the Greenhouse Effect (now in Mudhoney) in Perth, Maddison now living in Sydney was offered the opportunity to play bass for Lubricated Goat. The majority of the band lived on Cleveland Street in an old run-down three-story mansion which was soon dubbed "Gracelands." The house was a creative haven for musicians and artists that were known to host art shows and nude discos. These events were less common than they were reputed to be.
Time Has Told Me: Parrenin, Fromont, Lefebvre Musiciens Emmanuelle Parrenin : vielle à roue, épinette des Vosges, chant Philippe Fromont : violon, alto, violoncelle, sarangui, ganza, zarb, cymbale, chant Claude Lefbvre : guitare, mandole, violoncelle, tampoura, cymbale, chant.
The Wire: Adventures in Modern Music Download an MP3 featuring two tracks performed by The Master Musicians of Joujouka (as featured in this month's Global Ear) recorded live at the Brian Jones 40th Anniversary Festival in Joujouka/Jajouka 29 July 2008. The performance began exactly forty years to the hour from when Brian Jones recorded The Master Musicians in 1968. The resulting LP Brian Jones presents the Pipes of Pan at Joujouka was the first release on Rolling Stones Records in 1971
» PHTC019 / L’eau du robinet – God is a Hippie L’eau du robinet AKA Cristopher Pokora is a Poland-based producer exploring actually the musical fields between jazzy dope beats and exotic collage sample puzzles. The work presented here … is like a sunday afternoon visit to some open-field spot, where you can breathe some fresh air while collecting some insects … forget the mirage. Cristopher have is own personal universe growing out is mind and it invites you to take a deep breathe and dive in … you will find some real catchy and rare musical specimens floating out your speakers…make sure you catch every note with the right senses.
Glad I'm Not Famous Comp 1985-2008 with stories of Alien Virus, Acid World, Queer, Act and more... - Star Sludge's MySpace Blog | In the late 1980s and 90s Brisbane, Australia was a hotbed of mad punk musics, venues filled to overflowing with psychedelic contortionists, sellers of unnamed powers, exhibitionist trombonists, collective houses where the walls were painted with the poems of the mad, streets filled with hope-filled telephonists, corrupt police sleeping, unemployed prostitute philosophers, one armed guitarists, free tropical fruits and crowded second hand bookshops where anarchists plotted to overthrow their own minds. This is some of the music that went along with it......